“Flowers from the Underground” : Diversitätssensible Erschließung von Videosammlungen
In Vahrson, V. and Breuer, L. (eds) (2024). Halbwertszeit: Zum Umgang mit abgelaufenen Sammlungen. Berlin: DCV.“Manchmal artet es in Musik aus”: Approaching the inter media art practice of Conrad Schnitzler
In Semmerling, L. and Schneider, S. (eds) (2023). Conrad Schnitzler: “Manchmal artet es in Musik aus”. Cologne: Walther König. / See also Kaput: Magazin für Insolvenz & Pop.Listening in on the Silences of a Noisy Archive: Distribution as an Archival Practice at the Düsseldorf Inter Media Art Institute
In Dreckmann, K., Vomberg, E., and Semmerling, L. (eds) (2023). Fringe of the Fringe: Queer Punk Media History. Berlin: Hatje Cantz.
“No returns for dislike” - How music videos and video art entered the living room in the 1980s
in Dreckmann, K. and Vomberg, E. (eds) (2023). More Than Illustrated Music: Hybridizations between Music Video, Art and Pop. New York: Bloomsbury.
Hitting Puberty: 15 Jahre Stiftung IMAI - Inter Media Art Institute
in Semmerling, L. and Šimunović, D. (eds) (2021): Hitting Puberty: IMAI Zine. Düsseldorf: IMAI - Inter Media Art Institute.
Glas und Beton in Schwingungen
in Nachtigäller, R. and Fast, F. (eds) (2020): Glas and Beton: Manifestationen des Unmöglichen. Herford: Museum Marta Herford.
Luisteren na Pauline: De Missie van Deep Listening
in Metropolis M, No. 1, 2020.
Listening on Display: Exhibiting Sounding Artworks 1960s-Now
Dissertation, Maastricht University, 2019
PhD project supervised by Kathrin Bijsterveld and Peter Peters at Maastricht University’s Department of Technology and Society Studies and funded by NWO PhDs in the Humanities (2015-2019)
Shhh...! In search of the White Cube’s soundtrack
in Weibel, P. (ed.) (2019). Sound Art. Sound as a Medium of Art. Cambridge, MA: MIT Press.
Wie der Klang den Glaskasten eroberte: Zur Ausstellbarkeit von Klangkunst
in Elben, G. (ed.) (2019). Marler Medienkunst-Preise 2018. Cologne: Wienand.
Staging the Kinetic: How music automata sensitise audiences to sound art
in Organised Sound (2018). Volume 23, Issue 3.
Explorative Listening: A phenomenological approach to sounding artworks at museums
in Leonardo Electronic Almanac (2018). Volume 22, No. 3.
Sing a song: Gedurfde geluidskunst
in Metropolis M, No.5, 2017.
Samson Young: Hearing is a condition that we aspire to
in Metropolis M, No. 2, 2017.
What color is this sound?
on Metropolis M Website, November 12, 2015.
Ryoji Ikeda:
micro | macro
in Kunstforum International (2015). Bd. 237.
Living Perspective: A phenomenological investigation of landscape in painting and cartography
in Gehring, U. and P. Weibel (eds) (2014). Mapping Spaces. Networks of Knowledge in 17th Century Landscape Painting. Munich: Hirmer.